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The Ballad of Peckham Rye (New Directions Classics.)
by Muriel Spark
from New Directions Publishing Corporation
Customer Reviews:
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Avg. Customer Rating: 5.0 / 5.0 
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CATCH HER IN THE RYE
This novel was new when I first picked it up for a train journey. I had been reading a good deal about Muriel Spark in newspaper notices at the time, so this was the chance to find out for myself. It was love at first read, and I was curious whether the wonder of it all might have survived the decades.
Muriel Spark's work is commonly classified as `satire', and I suppose that's fair. However something that her early admirers, including Evelyn Waugh, stressed was that she is not really like anyone else,... more info
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Classic Spark
The Ballad of Peckham Rye (1960) seems more typical Sparkian fare than 1958's Robinson, which is to say more arch, more satirical, and more stylistically bizarre. And yet, while in Robinson Spark uses realism to loosen readers from their moorings so that they founder in the depths of what seemed to be a straightforward story, in Peckham Rye her wry, detached sketches release the reader into a kind of drunken clarity about such Big Ideas as, say, human nature. Reading this short novel, I told a friend at the... more info
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Wry and Clever
Dougal Douglas (or Douglas Dougal, depending on who you're talking to) may be a devil, and some people think he seems more Irish than Scottish. Whatever else he is, he is a lot of fun. THE BALLAD OF PECKHAM RYE lacks the sympathetic, possibly autobiographical central character found in many Spark novels (THE COMFORTERS, THE BACHELORS, etc.); however, it doens't fall into the black hole that swallows THE DRIVER'S SEAT or other works consumed by Spark's sense of evil. Instead, Dougal Douglas, the ever-present... more info
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An enigmatic gem
Dougal Douglas, the protagonist of this short novel, is a modern-day trickster, stirring up the sleeping industrial town of Peckham, where secrets and neuroses are in abundance. I loved Ms. Spark's sense of comedy. It makes her books always a fun read, and it's subtle enough so it never becomes an annoyance to distract one from the story.
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